Valladolid Adventures Part 10: The 16th Century Franciscan Convento de San Bernardino de Siena

Carole walks up a path toward Valladolid's huge convento. Now a museum, the Convento de San Bernardino de Siena is the second largest convento in Yucatan. The only one larger is in Izamal, which I will show later in this series. The structure above was once used as the Franciscan headquarters for evangelization in eastern Yucatan. It has the same fortress appearance that I remarked upon in my posting on Templo San Servacio in Valladolid. Like  the Templo, this convento was the site of several fierce battles during Yucatan's tumultuous history.

In previous posting (Part 9), I focused on the Calzada de los Frailes (Walkway of the Friars). That is the old pathway followed by the Franciscan friars when they traveled back and forth between the Convento and Valladolid's plaza area. In Part 10, the present posting, I'll show you the Convento's exterior. Accompanying the photos will be some of the history, including quotes from people who visited over the centuries. 

In Part 11, I'll show the Convento's  famous 17th century Noria (water works). Part 12 will be about the amazing artifacts found at the bottom of the deep cenote under the Noria. In Part 13, I will take you through the maze-like interior of the complex to view its artwork. The Convento, as you will see, is a fabulous place to visit.

Overview

Google satellite view of the Convento. The Calzada de los Frailes can be seen angling in from the upper right. The complex occupies an area of 14,121 square meters (15,443 square yards). Some of the trees surrounding the Calzada are the famous ceibas described by colonial visitors as lining both sides of the street almost all the way to Valladolid's plaza. However, only the ones seen above remain. The rest were cut down to make room for the colonial-era mansions that now line the street. The wooded area in the lower right used to be the orchard described in the previous posting. 

Floor plan of the Convento. The top of the plan above is north, the direction from which we approached. In the center is the church, which is shown as a horizontal rectangle that is curved at one end where the apse and altar are located. The cloister, where the friars lived and worked, is attached to the church on its north side. The cloister is a square, two-story structure with arcades along each side on both levels. These are supported by columns (shown as a square set of dots). 

The west (left) side of the plan has a vertical row of dots, representing the columns of the long arcade that runs along the front of the complex. At either end of the arcade are chapels. Also included in the complex are the refectory (dining area), several atriums (areas that are enclosed but open to the sky), and an open-air chapel for use by the native people. Finally, there is the Noria (waterworks),  located behind the northeast end of the complex. It was built over the Ziis-há cenote. You can see the perimeter of the cenote, most of which is underground. The ruins of the Convento's kitchen are adjacent to the cenote.

Exterior features.

The front of the Convento complex faces west. This was standard practice for Catholic churches, for reasons I explained in my post on Valladolid's Templo San Servacio. The church is the tallest structure seen in the center. The long frontal arcade has three portales to the left of the main entrance and four to the right. A chapel is located on either end of the arcade. The two-story structure on the left side of the church is the cloister. 

In 1562, a Maya named Nakuk Pech wrote the Chronical of Chac Xulub Chen which described the early years of the post-conquest period. "In the year 1551, Friar Fernando Guerrero came from Valladolid to Sisal and he baptized the people and introduced Christianity here, into all the territory of Valladolid west of Chels. In the year 1552 the fathers settled here at Sisal. They came from the west to teach and sing mass vespers with the singing of the organ and flute and the canto llano, which never before did we know here."  

The frontal arcade, looking toward the chapel at its south end. The work on the basic structures of the Convento lasted from 1552 to 1560, a fairly rapid project as these things go. Three Franciscan friars supervised the construction. They were Juan de Mérida, Hernando de Guevara, and Francisco de la Torre. The most important of these was Juan de Mérida. He was a former conquistador who "gave up the sword" to become a Franciscan friar after the founding of the city Mérida in 1542. A trained architect, Juan de Mérida also built that city's cathedral, as well as the huge conventos at Izamal and Mani.

The arcade above was added to the front of the Convento during the last half of the 17th century. On February 20, 1678, a plaque was placed on the wall commemorating its completion. There is a chapel on either end of the arcade. The one on the south is dedicated to the Santo Sepulcro (Holy Sepulchre) and was designated for use by the Maya. At the arcade's north end is a chapel with a shrine to the Virgen de Guadalupe. This one was set aside for the Spanish. I found this arrangement a little ironic, since the Virgen de Guadalupe is considered the special Patron of indigenous and poor people.

Rear of the church showing the outside walls of the apse (altar area). The high stone walls with crenelations along the tops give the structures a castle-like appearance. Some of these walls are more than 10m (30ft) tall and 1m (3ft) thick. In fact, the Convento was used as a fortress several times over the centuries, particularly during various Maya uprisings. In a future posting of this series, I will show some of the artifacts of these battles that were recovered on the grounds of the Convento.

The area behind the Convento was once covered by a lush orchard. According to the 1588 account of Antonio de Ciudad Real, "In that convent garden are raised bananas, alligator pears, guavas, and all kinds of oranges, pitayas, pineapples, grapes, and a great deal of fine garden stuff. All is watered with water that comes from the noria built on a very large Zonote which is below ground." While the friars were pledged to a life of poverty and simplicity, they certainly ate well!

One of several atriums on the Convento's grounds. An atrium is a large space next to a colonial church which is enclosed but open to the sky. It is used for outdoor religious events and processions. Atriums were particularly important in Franciscan conventos because they were often used for mass conversions. There were usually far more native people who attended these events than could fit inside the church. Carole can be seen standing in the shadow of the palms next to the atrial cross. Notice the rough pieces of limestone used by the Maya masons to construct the walls in the 16th century.

The atrial cross. Stand-alone crosses like this are usually found in atriums. They are used during outdoor religious activities. While this one is undecorated, atrial crosses that I have seen elsewhere are covered by religious symbols, usually relating to the Passion of Jesus (events leading to the crucifixion). This secluded atrium has a quiet serenity that I found particularly attractive. Although I am not religious myself, I can understand why friars and other religious people might come here to engage in deep contemplation. 

While I was deep in my own contemplations, this fellow wandered by. In my travels into the far reaches of Mexico' over the last 18 years, animals have always been present. Sometimes these have included cattle and horses, at other times goats and pigs, occasionally iguanas, and always dogs. Quite often, it has included turkeys. This one is a magnificent specimen. He was not penned up, but just casually roamed around the grounds. Turkeys are native to North America and Yucatan has its own wild species, called Meleagris ocellata. However, the one above appears to be a domesticated variety. 

This completes Part 10 of my Valladolid Adventures series. I hope you have enjoyed it. If so, please leave any thoughts or questions in the Comments section below or email me directly. If you leave a question, please include your email address so that I can respond in a timely manner.

Hasta luego, Jim

 

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