Friday, May 9, 2008

Our Mexican neighbors at the Lake

A picture of contemplation. I’ve taken over 4000 pictures in Mexico so far, and used less than 200 in the various postings to this blog. Most of my posts have focused on a location or event such as a visit to a colonial city or a fiesta. I wanted to focus on people this time. As I sifted through those thousands of photos, some themes started to emerge. I decided to show the Mexicans I have encountered in the Lake Chapala area, such as the young woman above, engaged in typical activities that demonstrate their industriousness, their humor, their attachments to family and religion, their delight in music and pageantry, and above all their beauty and humanity. So, let me introduce you to my Mexican neighbors…

Lakeside Mexicans work hard at an wide array of jobs and businesses.

Saturday night chicken, comin' right up! Mexicans in the Lake area are small town people, mostly living in the numerous small villages and towns around the lake. Few jobs pay much. However, almost everyone—even the kids—seems to have one, and many have several jobs and/or small businesses they pursue. The boy in this photo is part of the family that owns the small clothing material store behind him. Every Saturday and Sunday they set up the grill and the wonderful smell drifts up the street, drawing hungry neighbors from all directions. A cooked chicken, accompanied by roast potatoes, and salsa—enough to last several meals for two people—costs about $7.00US.

Sharing a laugh at the tianguis. A lot of food is sold informally on the street, brought in fresh that day from gardens often owned by the person selling the food, or a relative. It is generally very inexpensive. Carole often buys enough vegetables to provide several of our meals for the equivalent of $1.00US. Every Wednesday people flock to the Ajijic tianguis, a street market several blocks long, shown above. Other towns along the Lake hold their own tianguis on different days. Shopping at the tianguis is great fun and the sellers often seem to enjoy it as much as their customers.

"Fast food", the Mexican way. Our neighbor Pancho has a small vegetable store across from Seis Esquinas Plaza, selling all the usual vegetables plus coconuts and sugar cane. He was happy to let me photograph him cooking garbanzo beans in front of his store. The hot, salty beans are sold in small plastic bags—the Mexican version of “fast food”. Quite tasty!

Craftsman at work. One can find small carpenter shops on almost every street. They make shelves, furniture, signs, and even crosses for graves at the local cemetery. Chumer, the craftsman shown here, very kindly invited me into his cool, shady shop on a hot day and chatted with me about his experiences living in California while he worked on his beautiful creation.

A work in progress. J.V. Lopez Vega is a noted local artist whose home and studio are just down the street from our house. His large murals grace the walls of Ajijic in several places and he is currently painting a masterpiece on the third floor ceiling of the Ajijic Cultural Center. As with many Mexican muralists, his work is very symbolic and mystical. His paintings are heavily oriented toward the Lake itself and the animals living around it. Ajijic has been an artist colony for over 80 years, attracting both Mexican and foreign painters, sculptors, jewelry makers, potters, and every other kind of artist imaginable. Public art is abundant, such as the huge wall mural now under way at the local city hall. Another example is the sculptor who is transforming a huge tree stump in the Plaza. Private art is displayed at art shows and exhibitions as well as on the exterior walls of shops and homes all over Ajijic.

Guillermo & Son. Selling Vinos y Liquores (wines and liquors) across the street from Seis Esquinas Plaza, Guillermo does a brisk business. He posed proudly with his son at my request. The first time I visited his store, which is a gathering spot for those in the neighborhood who like to tip a few, those in attendance insisted in pouring me a large glass of tequila. Hospitality seems to be the rule in a Mexican village. I also suspect that, as the new gringo in the neighborhood, I provided a source of cheap entertainment.

Bath time. Cowboys and their horses abound in Ajijic and the country around it. Most are working animals, not just for show, and appear to be well fed and cared for by their owners. This cowboy chose a hot day to wash his mount. The horse seemed to enjoy the cool spray. There are quite a few cattle too, and small cattle drives down the cobblestone village streets are not unusual. Carole and I once encountered a stray from one of these drives. The cow was quite anxious and followed us like a lost puppy as we walked, mooing plaintively if we drew ahead too far. When we turned a corner, the cow became almost apoplectic and mooed at us to keep moving in the direction she wanted to go. We had to decline.

Family life is central to Mexicans

Young family enjoying the activities at the plaza. This family was watching a mariachi band at Seis Esquinas Plaza during a fiesta when I approached them for a picture. I didn't pose them, this is how they were naturally standing, framed by the doorway in perfect balance. Even the dog was right. It is one of my favorite shots. The only thing unusual about this family is the single child. Perhaps they were just getting started. Mexican families usually have multiple children, even though the number has been dropping with the spread of education and birth control. It is a very family-oriented society. Mexicans we meet often seem puzzled when they ask about our children and I tell them Carole and I have none.

High spirits. Mexican village society is a young society and children abound. These boys are engaged in a spirited pick-up game of soccer-style kick ball. Even the smallest children practice soccer (or futbol) moves, and big international tournaments rivet the community. A family will place a TV on a table in the street and the whole neighborhood will gather around to watch and root for their favorites.

Families on parade. The whole family participates in the life of the community. This young family was walking in the parade commemorating the Virgin of Guadalupe. They looked so happy and beautiful as I took the shot that, on impulse, I followed them to the churchyard. Approaching them, I asked if they’d like to see the shots on my digital screen. They were so pleased with the result that I promised to email the photos to them after the parade. I got back a very gracious reply when I did so. Taking pictures is a great way to break the ice, even if there is a language barrier. I managed to conduct this entire interaction in Spanish, including my email message to them. A personal victory!

Proud mother shows off her little one. Parents who have dressed their children up for special occasions seem especially receptive to an offer to photograph them. This mom adorned her baby with a hand-stitched top and skirt and wrapped her against the cool fall air with a beautiful rebozo, the all-purpose shawl carried by many Mexican village women. The rebozo is used not only as a wrap, but to carry packages, and to tote kids on backs or around waists.

Getting his licks in. Was there ever a kid who didn’t enjoy a chocolate ice cream bar on a hot summer evening? This one was definitely getting his licks in and seemed very pleased with himself. I have to admit that the ice cream sold in stores found around nearly every Mexican plaza is excellent. I’m with you, kid!

Religion plays a complex role in Mexican life

Mexico has an ambivalent relationship with religion. It is rare to walk through a Mexican Catholic church and find it empty. Nearly always someone is praying quietly, head bowed, lips moving silently through the words of worship. Jalisco State is one of the most conservative, church-oriented areas of Mexico. The State Capital, Guadalajara, was the center of the Cristero War when Catholic activists fought against an attempt in the 1920’s by the Mexican government under President Carranza to curtail the power of the church by enforcing anti-clerical provisions in the Mexican Constitution dating back to the 1850’s. For many years, priests and nuns were forbidden to wear their robes and insignia on the streets. Church property was confiscated and turned into libraries, museums and other sorts of public buildings.

Until I read up on the Cristero War, I had been very puzzled to find a plaque on the wall of a local church stating it was property of the federal government. Referring to Mexico’s ambivalent relationship to both God and its northern neighbor, Mexican President Porfirio Diaz commented “Poor Mexico, so far from God, so close to the United States.” Currently, there is a huge controversy about an effort by the Jalisco Governor to allocate about $9 million (US) to help the Jalisco Catholic hierarchy to build a huge new church. The Governor claims that it will increase religious tourism and therefore provide jobs. It remains unclear whether he will be able to pull it off in the face of vehement opposition from some parts of the public who think the money better spent on programs for the poor.

Preparing the way. Many of the fiestas held throughout the year have a religious core, such as those for the Virgin of Guadalupe (patron saint of Mexico and particularly of its Indios), San Andres (the patron saint of Ajijic), the Day of the Cross, as well as Christmas and Easter. The whole community gets involved. In the case of Palm Sunday, neighborhood men come out to sweep and water down the cobblestone route of the procession on their block, and then the women and children spread greenery just as in the biblical story. Along with our Canadian neighbors, we joined in to support the community effort, although we are not religious. It was fun, and the neighborhood kids had a hilarious time when we turned the hose on them.

Front row seats. Once the processional path was prepared, families took their seats to await the show. This shot is typical of any Ajijic evening on my street, fiesta or not. Families gather on their doorstep or curb, a mixture of adults, kids, friends, even the family dog. Someone is sure to be selling tacos off a griddle or tamales out of a pot they set out on the street in front of their homes. Socializing goes late into the evening, and even the babies are up. I feel quite safe walking around Ajijic streets at night, because the whole community is out and about, and nearly everyone treats me with friendliness and courtesy.

Drumming up some business. Mexicans are a practical people, and every occasion—even a religious event—is an opportunity to add to the family income. Some of the local Indio women and young girls conducted a thriving trade in beautifully hand-woven palm fronds during the Palm Sunday procession. This woman strode briskly past our house toward a potential group of customers, carrying her baby the old fashioned way, in her rebozo. I have seen 16th Century wall murals portraying this very scene.

Playing the part. The religious fiestas are remarkable for their level of pageantry. Costumes are detailed and people actually look the part as they act out their roles. Even animals get into the act, although the donkey carrying Jesus in this photo seemed altogether more interested in munching the greenery on the cobblestones, hence the two assistants keeping a firm grip on his halter. Several days previously, I had been startled to turn a corner and encounter a Mexican toting a full set of very realistic Roman armor down a busy street, no doubt on his way to a rehearsal.

Our Mexican neighbors love to socialize at every opportunity


Kickin' back at the plaza. Cowboys from the local ranches come to hang out in town at the Seis Esquinas Plaza. They were enjoying a mariachi band at the Virgin of Guadalupe fiesta. Carole tells me that you must have a certain “gravitas” to wear hats like these fellows. They seem to have more than their share. Throw on a serape, a couple of crossed bandoleers, and a Winchester, and any of these guys could have ridden with Pancho Villa.

Out on the town. All Terrain Vehicles (ATVs) like this are becoming very a popular form of local transportation, especially among the younger set. And by “younger” I mean down to nine year olds. The ATV drivers zip around somewhat heedlessly, so it pays to look closely before attempting to cross the street. Apparently Mexico has no age laws for driving these vehicles on the street, or at least doesn’t enforce them. Since I have seen toddlers, unassisted, riding horses taller than I am, I suppose it all makes some kind of strange sense.

Abuelas give me the eye. I found these elderly women on a shady bench at the Chapala Plaza (see my November posting: A quiet morning in Chapala). Abuelas (grandmothers) like this are greatly respected in Mexico. This pair seemed very skeptical of my photographic efforts. They have wonderful, “lived-in” faces. I’ll bet their stories would be every bit as good as those of the viejos in Ajijic, and possibly truer.

Going for the gusto. Sights like this are an everyday occurrence in Ajijic. We have come to love the clop, clop, clop of hooves on the cobblestones outside our house. This pair were probably heading into town for a cold Modelo beer at a local cantina. This is one reason why we live in a Mexican village like Ajijic rather than a big city like Guadalajara.

Police come in all flavors, from friendly to scary

Friendly. There are many varieties of police officer in Mexico. Probably the friendliest and most easy going are the traffic cops who wear the white shirt and black trousers and are assigned to intersections in a rather random way, it seems to me, regardless of the traffic situation. This officer asked me to take his picture with his shiny Ford pickup. There have been reports of a “kissing cop” (not the cop pictured) among the traffic police. The kissing cop offers to drop a citation in return for a kiss from the women he stops, many of whom are well past sixty. The bemused women involved report that he is very genial and non-threatening about it. I haven't heard about any takers.

Sort of friendly. The city police have a somewhat more serious demeanor. They are very polite and always wave back at me when they zoom by in their pickup trucks, usually with a couple of heavily armed officers casually riding in the back. The level of armament carried by the police can be a little unnerving at first. This pair was standing at the entrance of the small Ajijic city hall annex across from the Plaza. The woman is toting an Israeli-made Uzi submachine gun, a light machine gun with awesome firepower. Police officers such as these take care of ordinary criminal activity. A couple of times I have seen them cool out large groups of young men who looked like they might be about to get into mischief at a party or fiesta. A quiet but very earnest conversation with one of these cops settled things down immediately, with no arrests.

Somewhat less than friendly. The scariest cops I have encountered are the State Police, who dress in black jump suits with bulletproof vests and carry large assault rifles. They always look very serious, probably because they deal with narcotrafficantes (drug dealers), and are fairly regularly killed. Sammy, my neighbor down the street, used to be a state police officer but gave it up to run his own one-man taxi business because the pay was too low and the work too dangerous. My advice: don’t even think about messing with these cops!

Mexicans like to participate in their culture as performers, not just spectators

Charros are Mexico's traditional cowboys. The term “charro” originated in Jalisco where there are more of them than anywhere else in Mexico. These great horsemen (and some horsewomen) train their horses to dance to the music of the mariachi bands, among other things. Mariachis are another group that originated in Jalisco. The cowhide banner this proud rider carries says “Charros of Ajijic, Guarantors of our Traditions”. Those traditions go back to charro origins in Salamanca, Spain. The figure on the banner is the Virgin of Guadalupe. Everything about these charros is classy, from their clothing, to their saddles and equipment, to the horses themselves.

Band practice at Seis Esquinas. Every neighborhood seems to have its own band, and Seis Esquinas is no exception. This group was practicing in our little plaza for the San Andres fiesta. What they may have lacked in musical quality, they made up for in volume and enthusiasm.

Dancing with the stars, or under them in this case. These beauties danced during the Day of the Dead fiesta. The stage was set up outside the local “panteon” or cemetery about ¼ mile down the street from our house. Even standing still, they show grace and poise. Notice the lovely hand stitched dresses and colorful rebozos used in their dance performances.

And now for something completely different. While walking down a back street in Ajijic, I suddenly came across this fellow. He managed to dance, play the flute, and tap on a tiny drum all at once. There was nothing else going on, no fiesta or other event, he was just performing and hoping to make a few pesos from passersby. Behind him came his tiny Indio wife, who shyly extended a cup for donations. I gladly contributed, amazed at his dexterity and ingenuity.

Send in the clowns. As far as I could tell, this fellow wasn’t interested in donations. He danced and made faces just to amuse the children at the hot air balloon contest during the Revolution Day events. The kids were delighted but his dog appears to have seen his show once too often.

On parade at the rebozo show. These women obviously put a lot of work into their dresses and gorgeous handmade rebozos. They proudly strutted their stuff at the Rebozo Fashion Show during the Independence Day fiesta.

The children get into it too. This bright-eyed pair giggled as they waited their turn at the Rebozo Fashion Show. The one on the left is wearing traditional Indio costume similar to what I saw Purepecha Indios wearing in their villages at Patzcuaro. They are wearing their rebozos as head coverings. All their clothing is hand made.

Gettin' down at the Ajijic pier. These guitarists set up on the steps leading to the Ajijic Pier just a sunset. They appear to be playing just for the fun of entertaining their friends and themselves. Wherever we go at Lake Chapala, we find wonderful live music like this.

Monday, April 28, 2008

Patzcuaro: doorway to heaven

Patzcuaro is a medieval gem. Having whetted our appetites for Spanish colonial cities on our recent exploration of Morelia, we recently journeyed to Patzcuaro. Our Canadian friends, Gerry and Helen Green, joined us on the trip. They are the couple with whom we previously explored the ruins at Mezcala Island (see January 08 posting). Patzcuaro means “city of stones” in the native Purepecha language and it was believed by Purepechan inhabitants to be the doorway to heaven from which the gods ascended and descended.

On the road again! (L. to R.- Carole, Helen, Jim, Gerry). Gerry and Helen were about to return to Canada for several months, but wanted to show us Patzcuaro and the many small villages around the lake just to the north of the city. Gerry volunteered to drive his roomy, high-clearance 4-wheel-drive and we split the gas and tolls (about ½ tank of gas and $10 tolls each way). You really don’t need an off-road-capable vehicle to visit the Patzcuaro area, but his car is roomier than my Toyota Corolla for a long drive and is less susceptible to topes, Mexico's notorious speed bumps.

A high-speed cuota, or toll road, stretches almost all the way from Lake Chapala to Patzcuaro. The toll roads in Mexico are excellent, smooth, and well designed. Feeling adventurous, we decided to take a short-cut on the free roads part way to Patzcuaro to cut some time off our trip and see some of the back country to the north of Lake Patzcuaro. I felt OK about this because Gerry is such an experienced hand at driving in Mexico.

Patzcuaro origins. Although Patzcuaro and Morelia are both Spanish colonial cities, they are very different. Morelia is about ten times larger, and the architecture feels more stately and formal. Patzcuaro is considerably older, originating from settlements by the Purepechan Indios when they arrived in the area around 1324 AD. By contrast, the area around Morelia was very lightly inhabited when the Spanish decided to plant a city there in 1540 AD.

Patzcuaro sits on a hillside south of the lake. Architecture in Patzcuaro is very consistent. Most of the buildings are one or two stories. The bottom half of the exterior walls will be rust red, with the top half in white. Roofs are of red tiles.The streets are narrow, winding, and hilly. Since Patzcuaro is at 7130 ft. (2200 meters) there were plenty of forests for wood to cut gorgeous doors, windows, balconies, pillars, corbels, and rafters.

San Rafael Hotel through columns. We checked into the Posada San Rafael, a hotel fronting on the main Plaza Quiroga. We chose the San Rafael because of its central location and its price, only about $40.00US/night for a double room with bath and cable TV. The hotel is beautifully remodeled from the original colonial mansion. The rooms are large and the beds huge, although the mattresses are typically a little too firm for my taste. We could get English-language news on TV from BBC and some movie channels in English. We have also grown fond of the Spanish language channels, especially when the big muscular guys wearing full leather head masks show up, gesticulating wildly and sometimes inexplicably pummeling each other. It’s so much fun speculating, we don’t really want to ask anyone what it all means.

Early morning at Plaza Vasco de Quiroga. The plaza is large, full of trees, grass and fountains. Hotels, stores, and restaurants set out tables under the covered portales surrounding it. People watching is superb.

Catching up on the news with a cuppa joe. In the early morning, workers are out sweeping the sidewalks and setting up tables. As joggers pass by on the Plaza walkways, some folks just enjoy their coffee with the local newspaper.

Herb seller outside Our Lady of Health Basilica. By mid-day, commerce is in full swing with street vendors and shoppers. This woman is selling various herbs used for healing. She readily agreed to be photographed but reserved her smile until I had taken the shot. In the evenings, the young people show up for the live music in many establishments, or just to cruise and eye each other as they do world-wide. With all this activity on the street in front of the hotel, it was fortunate we got rooms in the back section.

Too late for Easter, too early for the cooking pot. Chicks dyed in bright colors explore their box as the seller dickers with passersby. The one on the right has a tiny baseball cap glued to its head.

Los Viejos. A pair of elderly shoppers chat in a busy market.

A study in lavender. Patzcuaro has a medieval feel, since the narrow, winding streets are not set in the more modern grid pattern. The worn stones in the streets and walls, covered with moss and stained with age, still carry the rough markings of the original stonecutters. One turns a corner and encounters Purepechans in their Indio clothing—not for the tourists, but just their daily wear.

An ancient activity. Around another corner, an encounter with two young boys carrying large hand-woven baskets of fresh-baked bread on their heads as their forebears did for centuries past.

Plaza Gertrudis Bocanegra & Library. There are several plazas in Patzcuaro, in addition to Plaza Quiroga. At the corner of Plaza Gertrudis is a library, converted from a convent.

History in paint. The Library contains an extraordinary mural by artist Juan O’Gorman. The mural covers one whole wall, floor to second-story ceiling, and tells the story of Patzcuaro from early pre-Hispanic times through the War for Independence. The scenes blend into one another with a series of vignettes showing early Purepechans in brilliant costumes, dramatic battle scenes, gory tortures, religious fervor, and much that I had difficulty deciphering.

The Purepechan Empire. While the Spanish, under Conquistador Nuno Guzman de Beltran, were particularly brutal and destructive, the Purepechas were no pacifists. The mural shows the conquest and enslavement of other populations by the Purepechas as they built their empire (see Morelia posting, March 08) and extended it as far north as the shores of Lake Chapala and south to the borders of the Aztec Empire in the Valley of Mexico. They also practiced human sacrifice, as did their chief ancestral foes, the Aztecs. The Purepechans came from the north of Mexico, according to their origin stories, and settled the area around Lake Patzcuaro in 1324 under a great leader named Rey Curateme. The area conquered by Rey Curteme was divided among his sons and relatives. Tzintzuntzan, just northeast of Patzcuaro on the lake, was the central political/ceremonial center. Today it is a small village of craftspeople overlooked by huge silent ruins brooding on a plateau with stunning views just outside of town.

Conquest of the Purepechan Empire. Guzman de Beltran (the bald man in armor on the left above), fearing he would be removed as Mexico’s Spanish Viceroy because of misrule, launched a conquest against the Purepechans who had previously refrained from interfering with the Spanish conquest of the Aztecs—the Purepechans’ arch rivals. Guzman de Beltran figured that if he could keep gold and silver flowing to the Spanish crown, other sins might be forgiven.

Spanish persuasion. The treatment of the Purepechans was so horrific that the Indios fled into the mountains. Eventually, the atrocities caused Guzman de Beltran’s removal and imprisonment in Spain.

A monumental change. A priest, Vasco de Quiroga, replaced the conquistador. The change was comparable to replacing Heinreich Himmler with Mahatma Gandhi. Vasco de Quiroga persuaded the Indios to come back from the mountains and set about creating a utopia, based upon the writings of Sir Thomas More, a contemporary. Quiroga set up schools and hospitals for the Indios, and taught them new methods of agriculture and animal husbandry. He also recognized that Purepechans were skilled artisans, already famous for their work in metals and wood. Quiroga persuaded the Indios to expand these activities and to add many new arts to their repertoire, with each village around Lake Patzcuaro specializing in particular crafts. This specialization persists to this day, nearly 500 years later, and we found wonderful craftsmanship in several of the villages we visited in the area.

Savior of the Indios. Vasco de Quiroga, whose statue graces the main plaza, was venerated by the Indios.

Basilica de Nuestra Senora de la Salud. Quiroga was also a great builder, and several of the most beautiful old buildings, including the Basilica of Our Lady of Health and the College of Saint Nicholas were built at his direction. Many of these beautiful old religious structures now serve other purposes. For example, the College of Saint Nicholas is now the Museum of Popular Arts and Archaeology.

Casa de los Onces Patios. The former Dominican monastery of Saint Catherine, built in 1757, is now known as the Casa de los Once Patios (House of the Eleven Patios). The Casa houses local artisans who allow you to watch them at work. Although I was intrigued by what I had heard of the Casa de los Once Patios, I did not actually locate it until the night before we left Patzcuaro. Out for a late evening walk, I turned a corner and suddenly recognized the Casa from an Internet photograph. I cursed my bad luck in finding it too late since it was too dark to take my own photographs. Then it occurred to me that the rising sun might catch the Casa just right for some wonderful early morning photographs before we had to leave the area. That is, it would if I could pry myself out of bed early enough. I decided to make the effort and since sunrise would be about 7:00 AM, it wouldn’t be that big a sacrifice for a morning slug like me.

Early morning sun bathes the Casa walls and domes. Fortified by strong coffee from an early-opening cafe on the Plaza, I stalked the Casa like a hunter stalks an animal in the woods, approaching from various angles and distances, gauging the direction of the early sun’s rays, and looking for interesting effects. I have never had any formal training in photography, but an early photographer friend once told me that the secret of taking a good picture is “take lots of pictures”. So I blazed away, as you can these days with a digital camera that uses no film and allows you to easily discard failed attempts at artistry.

Some of the villages we visited while still in the area included Santa Clara del Cobre, Isla Janitzio, and Tzintzuntzan. There are many others ringing the lake but we had time only for these. A return trip is definitely in the cards.

Copper pans for any purpose. Copper was mined in the area of Santa Clara del Cobre long before the Spanish came, but they expanded the mines and Purepechan craftspeople are still creating beautiful—and practical—goods for sale.

Helen hits copper jackpot. Helen had this visit on her list of priorities, and the drive up into the mountains south of Patzcuaro was lovely. We began to see crafts shops scattered through the outskirts of town, and when we parked and walked to the town plaza, we discovered that one whole side of the portales around the plaza was devoted to fine copper work.

Copper town plaza. In addition, the plaza lamp posts, the kiosco roof and railings, and hanging plant baskets along the portales all showed beautiful examples of worked copper.

We next visited Isla Janitzio, in the middle of Lake Patzcuaro. We had heard mixed reports from tourists about Janitzio. We decided to check it out anyway, as a way to see the lake from a different angle. Janitzio turned out to be a high point, literally as well as figuratively, of the whole trip. The Patzcuaro malecon, or waterfront, is several kilometers from the center of town. The malecon has restaurants and craft shops and, of course, the boats for the trip to the island. The boatmen belong to a cooperative which sets consistent prices (about $3.50US per person round trip) so you don’t have to bargain, and the boats seem to be in good condition and are equipped with lifejackets. The 20-minute trip (each way) was smooth and uneventful.

Aquatic commuters. Purepechans coming home to Janitzio after a day at the mainland markets filled most of our boat, which could hold about 80 people. On the way back, we and the handful of returning tourists had the boat mostly to ourselves.

Isla Janitzio at a distance. Janitzio is an almost perfect cone, undoubtedly volcanic, rising steeply from the water. An immense statue of Jose Maria Morelos y Pavon (see my March 2008 posting on Morelia) tops the island. It is visible from the mountains 20 miles away.

Janitzio, approaching the dock. The houses, stores, restaurants, hotels and other structures begin at the waterline and rise to the base of the Morelos statue. The narrow, twisting stone streets corkscrew up the island between multilevel buildings, with steep stairs connecting one level to the next.

Not a square inch wasted. As you climb higher and higher, great views emerge on all sides.

No cars needed here. Janitzio has the feel of a medieval Italian hill town, and is the most densely populated area in Michoacan State. There are no cars, and I saw no bicycles. Everyone simply walks around the small island. Fortunately, the narrowness of the streets provides plenty of shade from the intensity of the sun at 7100 feet in elevation.

Craft shops line the steep streets. As we climbed higher toward the Morelos statue, small shops about the size of a one-car garage offered a variety of products. Janitzio is not known for a particular craft, but seems to be the point at which all are sold. Carole was attracted by the lacy rebozos (shawls) and picked out one in a beautiful shade of lavender. We had seen rebozos of similar quality in the Ajijic shops for about $25.00US. The Purepecha shopkeeper, who was also the weaver of the garment Carole liked, wanted about $8.00US. We could have bargained for less, especially since it was a slow day on the island, but Carole felt it was a good enough deal and she liked that it was the woman’s own work. Everybody went away happy.

A view from the top. You can climb up the inside of the Morelos statue all the way to the upraised fist, and Gerry did, but I was content to roam around the base and photograph the stunning views in all directions. One restaurant owner, seeing me struggling to take a photo through a wire fence at the edge of the plateau, kindly waved me inside her restaurant so I could take the picture from her broad, open windows overhanging the ledge. She wanted nothing from me, only that I should get a good picture for my trouble. Her gesture was not unusual. We found people on our trip to be generous and helpful.

On our final morning, we decided to visit Tzintzuntzan, both for its crafts and to see the great ruins at the heart of the Purepechan Empire and the first seat of Spanish government in Michoacan. Tzintzuntzan is the wonderful Purepechan word meaning “place of the hummingbird”. The word actually sounds like a hummingbird zipping from flower to flower. The town itself lies in a narrow valley leading to the lake. Tzintzuntzan is known for basketry and straw crafts, carved wooden goods, green glazed pottery, and stone sculptures. The main street through the town has many shops, and the central plaza contained many stalls with beautiful crafts of various kinds.



Christmas decorations in April? Only in Mexico...

Sculptures in straw spin gently with the wind.

Ceramic figures resemble people seen on the streets every day.

Purple-blossomed jacarandas cast welcome shade over ancient plateau walls. Just outside the town is the turnoff to the ruins. From below, they look like the grey stone foundation of a major building under construction. As we wound up the hill, the real size of the ruins complex became clearer. The main structures sit on a man-made plateau 400 yards long and 180 yards deep, three sides of which are a high stone wall set in several steps taller than a six foot man. The long front wall of the plateau, overlooking the town and the lake and mountains in the distance, is at least 20 feet high.

Purepechan skill at stonework goes back many centuries. On top of this massive, level structure the actual temples and living quarters were built. The temple complex is a long rectangle, perhaps 250 yards long set back about 75 yards from the edge of the plateau wall.

Rounded temple bastion overlooking lake. The front of the rectangle has 5 huge semi-circular bastions set in regular intervals along its face. On top of the bastions were the temples and other structures for worship and administration. The bastions and the walls connecting them are 20-30 feet high. It’s hard to say exactly, because of all the rubble piled on top.

Ancient Purepechan "view property" on the edge of the plateau. Behind the temple complex are the foundations of palaces and storerooms and a round flat area set in patterned stone that looks like a large patio, possibly a ceremonial area. While we were wandering the area we were nearly alone. The solemn quiet of the place, broken only by the chirping of birds in the open grove of trees at one end of the rectangle, left a deep impression on all of us. From here, the elite classes of a powerful people exercised control over their empire and performed their religious ceremonies. Over 40,000 people lived in or around Tzintzuntzan when the Spanish arrived. Today, the population of the town is only about 1,000.

Modern Purepechan agricultural techniques reflect ancient ways. Just before we left, we noticed a fire on the hills at the back edge of the plateau. Apparently the Purepechans were utilizing slash and burn practices to clear land for agriculture. As the flames spread and leaped 20 feet in the air, we reflected that their ancestors, who arrived 650 years ago, probably used the same methods. This created a dramatic end to our visit to a lost civilization. But though their Empire may have vanished, the Purepechans are still here, creating beautiful crafts and quietly living their lives in Patzcuaro and the villages around the sparkling lake.